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Meg fails the template of middle school popularity. Her wardrobe isn’t perfect. She’s stubborn and gets bad grades. Her father has been missing for years and her classmates mock her optimism for his eventual return. Meg has a lot to be mad about, and she is. This anger, though, seems less reactionary than existential; under Ava’s governance, the context of Meg’s rage is reframed. Unable to perform social pleasantness, Meg becomes the angry, unsatisfied Black girl hero who eventually learns to command space, time, and her own destiny. And just as Mrs. Whatsit reminds her, it is precisely her flaws — the traits which make Meg so self-deprecating — that will ultimately help her save the day. “Maybe I don’t like being different,” she says in one especially poignant moment. “But I don’t want to be like everybody else, either.” note atelier decathlon The Beauty Evolution of Cara Delevingne, from Model-on-the-Rise to It-Brit Icon note atelier decathlon That angle is definitely promising, but the movie will still need to bring something very original to the table to be able to justify yet another movie about Lady Di. note atelier decathlon When Amanda Farias was a kid growing up in the Bronx, her grandmother would bring her into the voting booth whenever there was an election. Her family didn’t often discuss politics, but at the polling place, her grandmother always said, “You have to make sure you vote. You have to know who you're voting for,” Farias tellsTeen Vogue note atelier decathlon

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