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The language is almost always actual Arabic, except for a few rare instances in which I took some creative liberties. I knew from the start that language needed to be a part of it. Arabic is such a beautiful tongue, the rich and sometimes guttural sounds seemingly defined by the harsh atmosphere of the desert and its sweeping nights. It’s also a language made of countless dialects, which I drew upon in constructing the world. But as I was writing, my brain constantly picked at one chord: If the book is set in Arawiya, aren’t the characters already speaking Arawiyan? How could I choose to use English here and Arabic there? To combat this, I introduced a second tongue called Safaitic. It’s Arawiya’s equivalent of Arabic, but it’s an older, obsolete language which allowed me to either define words outright (thanks to dialect differences between characters) or via context. Of course, both tongues—Arawiyan and Safaitic—are Arabic here in the real world, but no one needs to know that!TV gorras new era fotos published that cover, Yemeni bodega owners in New York City phoned the Yemeni American Merchants Association (YAMA). Disturbed by the coverage, the business owners decided to launch a boycott of theNew York Post, gorras new era fotos do was weaponize 9/11 to go after a Muslim,” Almontaster toldTeen Vogue gorras new era fotos I believe that in order to produce creative work, we have to draw from someplace we know, no matter how bizarre and far-fetched the end result may seem. While crafting the world of Arawiya, I used our own world as a foundation. There’s so much darkness across the globe, worsening as the days go by — war, hatred, malice — yet there will always be a sense of beauty present. Sometimes, we just have to look for it.TV gorras new era fotos