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So much of what Marsha had to deal with remains a reality for many of us. Marsha’s history has helped me make plain the connections between the historical erasure of trans women of color from the LGBT movement, and contemporary forms of anti-black transphobic violence happening today. Her image and ideas were extracted throughout her life, while she experienced so much violence – from the police, the outside world, and often from lesbian and gay activists and artists. It is this kind of violent extraction — of black life, trans life, queer life, disabled life, poor life — that leads so many of us to hold our ideas close to our chests; to never let the world see how brightly we shine. Until all of our ideas and lives are celebrated and given the resources we need and deserve, so much of our brilliance will remain hidden out of fear of our lives and labor being violated and appropriated. I truly believe this moment invites all of us not just to think about what we want to see represented on screen, but also how we want those images to be made and stories documented in the first place.Related:What the Stonewall Riots Were Like botin calcetin negro Yeah, I guess so, but I've always been like that. It's not a new thing. I mean, of course I doubted myself, but I sort of know what I want from life. I know I don't want to be like, a vapid shallow person, so that's one thing. I'm really keen on transmitting something to someone and learning from what I do. Otherwise, what is the point? Do you know what I mean? Otherwise, you'd might as well just be a cardboard box. It's good if you can nourish a character, but you can get something out of it as well. So then you can go on and become a better actor or a better person, or decide to go into directing or writing. There are so many departments and intersections in this industry that you can weave together.TV botin calcetin negro premiered on Netflix last October 6 while the one I envisioned with Sasha did not get made. We had applied for a grant to at least one of the same foundations that France, a white cisgender gay man, had applied to, but it was his film that got funding and not ours. Long before France’s film premiered, Sasha and I had decided to change course and make a short narrative film instead of a documentary. After we learned that France was planning his film, we knew we’d we’d face significant challenges making a documentary with a lower budget and fewer resources than he had. We were hopeful that our community would continue to support us, and were thrilled when we were able to crowdfund our film through donations via Kickstarter. It was truly a community effort, and I felt my relationship with Marsha deepening as we continued makingHappy Birthday Marsha! botin calcetin negro doubling down on the idea that "It's a jacket. There was no hidden message. After today's important visit to Texas, I hope the media isn't going to choose to focus on her wardrobe." botin calcetin negro