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wants her to do, Drake shames her as a lost cause, a fallen woman, a bad girl. uniqlo ines de la fressange as “taking in and believing the stereotypes and misinformation that our sexist culture tells us about being female and what it means to be a woman” – is alive and well in the music scene. Though she’d later capitalize on her feminism, Taylor Swift has included sexist tropes in her songs, most notably in 2009’s “You Belong With Me,” where the object of her affections has a girlfriend whom Taylor feels isn’t good enough for him. “She wears short skirts, I wear T-shirts,” she whines, “She’s cheer captain, and I’m on the bleachers.” The implication: the object of her affection values a popular, hyperfeminine cheerleader more than the sneaker-wearing girl-next-door, and should be judged accordingly. uniqlo ines de la fressange But while the men of the pop music world are busy accusing girls of being “bad,” some women in the industry are actively reclaiming and owning their “badness.” When Ariana Grande sings “Ain’t you ever seen a princess be a bad b*tch?” she’s asserting her ability to be both “good” and “bad” in the same breath. Rihanna sometimes goes by “Bad Gal RiRi,” and her song “Good Girl Gone Bad” turns sexist tropes on their heads. Even Taylor has sung about putting her “good-girl fate and tight little skirt” on like they’re a costume she wears to feel a certain way. These women embrace their “good” or “bad” identities (or sometimes both at once) from a place of agency and choice; it’s more about what they want for themselves than what men want for them. uniqlo ines de la fressange The Jacksonville Humane Society, along with shelters in Cleveland,PhiladelphiaSanta Fe uniqlo ines de la fressange