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that Joe also being an entertainer makes their relationship easier: "You realize that you’re not going to see each other all the time. And you don’t feel like a jerk when you’re, like, ‘My publicist says I can’t do this.’.” Although she pretended not to know who Joe was whilespeaking withExtra site vetement ados as a heartbreak kid, but she has a unique gift for self-aware yet ruthless situational analysis that thrives when it’s set free. “Traitor” is close to flawless, with its Kacey Musgraves-esque light-folk backdrop and wry, clenched-jaw phrasing. The pop-punk “good 4 u” is a perfect song for screaming at karaoke. (“Like a damn sociopath!”) There’s a wounded bitterness in many of these songs, and it’s stinging and cathartic to listen to an artist pick the scab and refuse the bandaid.ContentView Iframe URL site vetement ados the dating rumors in May 2017, when she was asked about the possible romance at the Billboard Music Awards. "We work together closely; he's my love interest in the film," Alexandra explained at the time. "I understand why people would go crazy over something like that, but Zac and I are very good friends." site vetement ados For all the comparisons that have been made and will continue to be made to her chief predecessors Taylor and Lorde, Olivia is already proving herself to be on a stylistically different track. She doesn’t traffic in broken fairytales like the former or vivid suburban metaphor like the latter — musically and lyrically, she’s drawn to frankness, laying down the cards all at once. Her voice is effortless, the clear result of years of vocal training plus natural talent that makes her soar where many singers have to strive. Thinking back to those musicians’ debut albums, both of which are genius in their own right, there’s a pattern of wisdom, an old soul type of teenage transcendence. They positioned themselves as outsider bards, taking covert notes in diaries as they eyed their classmates and the world around them. “But I know it’s not forever,” Lorde slices through a tennis court fantasy. “Take me back when our world was one block wide,” Taylor reminisces on a perspective that was once so small, the implication being that she’s all grown up now. Olivia’s perspective, by contrast, feels more present, more minute-to-minute. The immediacy of the gut punches plucks something from you as you listen, some kind of urge to suck in your stomach and wail. “God, it’s brutal out here,” with its ties to both Olivia’s own brutal lyricism, is a line so perfect and well-delivered it’s almost difficult to listen to. (To be clear, that has not stopped me.) site vetement ados