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A big thing for me was that we have to talk about race on the show. These are not just trans characters: All of the girls on our show are black girls — some of them have intersections of being Latina or Hispanic — but they’re all black girls. The ballroom is a black and brown space before it’s a trans and queer space. So you can’t just say we have this great trans and queer show, you have to add in the layer of the race stuff. Those are conversations that I don’t think were as sharp and as centered until I stepped into the room and Steven had a co-conspirator. The conversation shifted because the room was balanced a little bit more. I had to be very clear that a white trans girl’s experience is very different than a black trans girl’s experience — especially a black trans girl that’s struggling with economic resources in 1980s New York City. So we gave Elektra more pointed lines about whiteness, or Angel started calling Stan a white suburban boy. We had to put that stuff in there.Courtesy of FX/Pose fossil montre bleu The Internet’s Reaction to Sean Spicer’s Resignation Is PRICELESSAriana Grandehas been named as the newest face ofGivenchy fossil montre bleu But then there’s the Internet and social media, and it all makes the world seem so much smaller than it did, say, 100 years ago. You can buy stuff that was made 100,000 miles away and work alongside people who’ve traveled across the globe to get here. This new global world we live in brings us all a lot closer. But that comes with some big questions: Does allowing businesses to trade freely across borders make us all richer, or does it put too much power in the hands of corporations? How much money should we spend on international aid? And the eternal biggie: Is immigration good or bad? The side you fall on these arguments depends on your values. fossil montre bleu PP: Okay, so let’s get into the actual semantics of directing the episode. What was the most important to you in terms of actual directing and storytelling?JM: fossil montre bleu