Later that night he called me to try to clear the air. As he lectured me about seeing past Trump’s rhetoric and focusing on his economic policies, I forced my brain to picture the voice on the phone as the older brother who pulled gravel out of my hair as he taught me to ride my bike, as the caretaker who held me as I cried over my first breakup, as the sidekick who let me crawl in through his bedroom window all those times I snuck out in the middle of the night. When you can humanize the source of your frustration, you learn to articulate a rebuttal that transcends emotion. He’s not a monster, and neither are many Trump supporters. I choose to believe that now because I choose to love the humans who loved me before I even knew myself. That doesn’t make it easier to accept that three of the four people you love most in this life voted for a man whose presidential legacy will fall somewhere betweencaging childrenandinciting mass shootings adapts the story of Margaret Atwood’s classic novel and makes it as gripping to watch as the book is to read. The series has raked in over 20 awards since its initial 2017 release, thanks to outstanding performances from leading lady Elisabeth Moss and the rest of the cast as residents of Gilead, a dystopian version of the United States where “handmaids” like Moss’s character are forced to give birth to children for wealthy families as the world’s child-bearing population begins to dwindle.Looking for AlaskaContentView Iframe URLLooking for Alaska Miley had a lot to say, it turns out, most of which is probably not fit to print here. However, after she danced with a crew of scene-stealing drag queens (and the rest of her posse), she casually announced that she was dropping a surprise album — for free on streaming — via the websiteMileyCyrusandHerDeadPetz.com at the Venice Film Festival this weekend. From there, it will head to theToronto Film Festival